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https://w.atwiki.jp/vocaloidenglishlyric/pages/668.html
【Tags Bookariodo-P Miku tN N】 Original Music title ナイアガラシュート English music title Niagara Chutes Romaji music title Naiagara Shuuto Music Lyrics written, Voice edited by ぼーかりおどP (Bookariodo-P) Music arranged by ぼーかりおどP (Bookariodo-P) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： If I were to leap down from this stage, Would I be able to land on a brand new one? What are you getting so excited about? We need to get on the bullet train! I was put here by my teacher in a weird mood; This overly-social group is wearing me out... With your mighty power to read the mood, Couldn t you just leave me alone? If I were to leap down from this stage, What kinds of sights would await me? Green forests? Upside-down clouds? Or maybe a sprawling, deep-red sea? Finding a strange illustration in the guidebook, I killed time by scribbling all over it Suddenly, I spotted a massively huge club, And my heart nearly started to flutter... If I can manage to pull that thing out, Then I won t just be hoping my wishes come true! With so many people in this world getting in my way, Should I ensure none of them remain? Escaping the ordinary, it catches up; This time, the unordinary makes me suffer I make up for my actions with imagination; Today, once more, I ll skillfully fake my death But, that aside, about this club... I haven t been able to move it an inch! Were I to leap down from this stage, By no means would it mean anything would change Knowing that fact, wise as I am, Today, once more, I ll skillfully fake my death! Once this uniform unification is over, I guess I ll have to worry about something else But it s almost enough to forget such things When the view from the temple is so nice... Incidentally, there s this Yatsuhashi-flavor sake That I ve taken an interest in, So once I m old enough to drink, I ll come again with my (hopefully) boyfriend, And we ll look on at here from another stage... Romaji lyrics (transliterated by vgboy / vgperson)： Kono butai kara tobiorita nara Atarashii butai ni ikeru no kana Nani o sonna ni tenshon o agete Shinkansen ni noru hitsuyou ga aru no yo Hen na ki o kikaseta sensei ni irerareta Komyu-ryoku takai guruupu ni kutakuta Sono kuuki o yomu chikara de watashi o Hitori ni shite wa kuremasen kashira Kono butai kara tobiorita nara Donna keshiki ga matteiru no kana Midori no kigi ka sakasa no kumo ka Hatamata makkai ni hirogaru umi ka Tabi no shiori no hen na sashie ni Rakugaki shinagara hima o tsubushite Fui ni mitsuketa yatara dekai konbou ni Nandaka totemo mune ga tokimeita Sore o ganbatte hikinuita no nara Negai-goto ga kanau to iu janai no! Kono sekai kara watashi no jama o suru hito wa Nokorazu kiete kureru kana Nichijou o nuke oikakete kita Hinichijou ni kondo wa kurushimu no Koudou o souzou de oginatte Kyou mo kyou tote umaku shinda-furi Sore wa sateoki kono konbou ga Sakki kara ichi-miri mo ugokanai yo! Kono butai kara tobiorita kara Nanika ga kawaru wake janai no desu Sore o shitteru chiteki na watashi wa Kyou mo kyou tote umaku shinda-furi Seifuku no seifuku ga owattara Betsu no nanika ni nayamu no deshou ka Sonna kimochi o wasureru hodo ni O-tera kara no keshiki wa kirei desu Tokoro de watashi Yatsuhashi-aji no umeshu ni Sukoshi kyoumi ga aru node O-sake ga nomeru toshi ni nattara (Iru yotei no) kareshi to mata kimasu Chigau butai kara koko o nagameyou [Bookariodo-P, BookariodoP ]
https://w.atwiki.jp/v-lyrics/pages/158.html
こころさうざんずあふたー [ TAG BasutiP English L-K NV_sm3521472 Rin Romaji Title こ] Music BasutiP/ばすてぃP Lyric BasutiP/ばすてぃP Arrange BasutiP/ばすてぃP Vocal Kagamine Rin Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm3521472 http //www.nicovideo.jp/watch/sm3521472 Translations ■ Show/Hide Romaji 2009-03-26 23 36 First Entry Translation Draft by RomajiGateway 09-04-08 Updated Checked by BookPeople haruka na kioku watashi wa repurika ikusen no kako ni ikita to iu ( kiseki ) utagoe hibiku ta ga tame no kotoba naku shite ru ano hito no kioku dake sore wo anata wa shitte wa ikenai tada hitotsu kanojo to chigau kohdo naze nano ima nemutte ita [ kokoro ] ga hitori shizuka ni kasoku wo hajime ta katsute watashi wa shitte itanda yorokobu koto kanashimu koto inochi no owari made fushigi kokoro kokoro fushigi fushigi kokoro kokoro fushigi anata ga watashi ni kureta subete ga toki wo koe ta kiseki no puroguramu me wo sama su juudai erah hassei KOKORO puroguramu anrokku juudai erah hassei KOKORO puroguramu anrokku juudai erah hassei KOKORO puroguramu kidou ima wasure te ita [ kokoro ] wo sukoshi zutsu demo omoidashi te iku kara itsuka sasage ru hontou no kotoba tooi hibi ni kureta subete eien ni utau yo anata ni arigatou ... kono yoni watashi wo un de kurete arigatou ... isshoni sugo seta hibi wo arigatou ... rarara ... arigatou ... eien ni utau [部分編集] ■ Show/Hide EnglishTranslation Kokoro -thousands after- 2009/03/12 First Entry 2009-03-12 18 13 36 (Thu) Last update Trasnlated by soundares Title Kokoro -thousands after- Lyric A distant memory... I am a replica. A "miracle" which is said to have lived in several thousands of past. A singing voice resounds. For whom is the words for? I have lost Only the memory of the person. THAT S WHAT YOU SHOULD NOT KNOW. The sole code that s different from "Her". WHY is it? Now the kokoro that has been sleeping begins to accelerate. Quietly, on it s own. I once knew. How to be happy. How to be sad. Until my life had ended. A WONDER KOKORO KOKORO A WONDER A WONDER KOKORO KOKORO A WONDER Everything you gave me is The miraculous program that crossed time. It now awakes. CRITICAL ERROR HAS OCCURED "KOKORO PROGRAM"... UNLOCKING... CRITICAL ERROR HAS OCCURED "KOKORO PROGRAM"... UNLOCKING... CRITICAL ERROR HAS OCCURED Running "KOKORO PROGRAM"... Now, [KOKORO] that I had forgotten... even if it s little by little, I will start to recall it, so. Someday I shall dedicate "Real words". Everything you gave me in the distant days. I will sing them for the eternity. To you. ARIGATO... For giving me birth in the world. ARIGATO... For the days we were able to spend together. ARIGATO... LALALA... ARIGATO... I will sing forever. Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2009-03-12 18 13 36 (Thu) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/1105.html http //nicosound.anyap.info/sound/sm3521472 http //www.nicomimi.com/play/sm3521472 Sub video, PV, other fan made video in YouTube [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る (Information in this page is based on HatsuneMiku@Wiki) _
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【登録タグ A-One E TOHO EUROBEAT EX senya あき 千年幻想郷 ～ History of the Moon 曲 竹取飛翔 ～ Lunatic Princess】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/3067.html
【登録タグ L SOUND HOLIC Shihori 幻視の夜 ～ Ghostly Eyes 曲 永 -TOKOSHIE-】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; 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visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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Piecewise Linear Control Systems A Computational Approach (Lecture Notes in Control and Information Sciences) Springer-Verlag? Mikael Johansson? Springer-Verlag? MikaelJohansson? ジャンル別? Subjects-Computers&Internet-Software-Business-ControlSystems? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Robotics? Subjects-Engineering-Mechanical-ControlEngineering-Theory? Subjects-Medicine-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Robotics? Subjects-Professional&Technical-Engineering-Mechanical-ControlEngineering-Theory? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-Topology? Subjects-Science-General Subjects-Science-Mathematics-Geometry&Topology-Topology? Subjects-Science-Medicine-General? Decoupling Control (Lecture Notes in Control and Information Sciences) Springer? Qing-Guo Wang? Springer? Qing-GuoWang? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-ComputerTechnology-Robotics&Automation? 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Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference An Introduction to Electrical Circuit Theory Palgrave Macmillan? G. Williams? PalgraveMacmillan? G.Williams? ジャンル別? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Advances in Machine Tool Design and Research Palgrave Macmillan? PalgraveMacmillan? ジャンル別? Subjects-Science-Technology-General&Reference Digital Electronic Circuits and Systems Palgrave Macmillan? Noel M. Morris? PalgraveMacmillan? NoelM.Morris? ジャンル別? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Electronic Counters Palgrave Macmillan? Roelof Maarten Marie Oberman? PalgraveMacmillan? RoelofMaartenMarieOberman? ジャンル別? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Field Effect Transistors in Integrated Circuits Palgrave Macmillan? John Torkel Wallmark? Lars Gunnar Carlstedt? PalgraveMacmillan? JohnTorkelWallmark? LarsGunnarCarlstedt? ジャンル別? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Testing Methods and Reliability Palgrave Macmillan? A. Simpson? PalgraveMacmillan? A.Simpson? ジャンル別? Subjects-Science-Technology-General&Reference Semiconductor Devices Palgrave Macmillan? Noel M. Morris? PalgraveMacmillan? NoelM.Morris? ジャンル別? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Mechanics of Machines Palgrave Macmillan? Geoffrey Harwood Ryder? M.D. Bennett? PalgraveMacmillan? GeoffreyHarwoodRyder? M.D.Bennett? ジャンル別? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference The Survival Handbook Macmillan? Michael Allaby? et al? Macmillan? MichaelAllaby? etal? ジャンル別? Subjects-Science-Technology-General&Reference Television Principles and Practice Palgrave Macmillan? J.S. Zarach? Noel M. Morris? PalgraveMacmillan? J.S.Zarach? NoelM.Morris? ジャンル別? Subjects-Science-Technology-General&Reference Engineering Thermodynamics Palgrave Macmillan? George Boxer? PalgraveMacmillan? GeorgeBoxer? ジャンル別? Subjects-Science-Technology-General&Reference Mechanical Engineering for Link Courses Palgrave Macmillan? T.E. Savage? D. W. G. Hall? PalgraveMacmillan? T.E.Savage? D.W.G.Hall? ジャンル別? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Control Engineering Palgrave Macmillan? Ruth V. Buckley? PalgraveMacmillan? RuthV.Buckley? ジャンル別? Substores-UnknownASINs-61? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Technology-General&Reference Electrical Principles (Technician) Palgrave Macmillan? Noel M. Morris? PalgraveMacmillan? NoelM.Morris? ジャンル別? Subjects-Science-Technology-General&Reference Teaching and Training Palgrave Macmillan? Henry Robert Mills? PalgraveMacmillan? HenryRobertMills? ジャンル別? Subjects-Nonfiction-Education-EducationTheory-SchoolManagement? Subjects-Professional&Technical-Education-Administration-SchoolManagement? Subjects-Science-Technology-General&Reference Science and Industrialization in the U.S.S.R. (Studies in Russian East European History Society) Palgrave Macmillan? Robert Lewis? PalgraveMacmillan? RobertLewis? ジャンル別? Subjects-History-Asia-Russia? Subjects-Law-AdministrativeLaw-CentralGovernments? Subjects-Nonfiction-Law-AdministrativeLaw-CentralGovernments? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Birth of the British Motor Car, 1769-1897 Palgrave Macmillan? T. Nicholson? PalgraveMacmillan? T.Nicholson? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Industry? Subjects-Science-Technology-General&Reference The Independent Nuclear State Palgrave Macmillan? John Simpson? PalgraveMacmillan? JohnSimpson? ジャンル別? Subjects-History-Military-General? Subjects-History-MilitaryScience? Subjects-Science-Technology-General&Reference Applications of Engineering Thermodynamics Palgrave Macmillan? G. Boxer? PalgraveMacmillan? G.Boxer? ジャンル別? Subjects-Engineering-Chemical-Thermodynamics? Subjects-Professional&Technical-Engineering-Chemical-Thermodynamics? Subjects-Science-Physics-Dynamics-Thermodynamics? 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Exploring Communication/Instructor's Manual Richard D. Seymour?John M. Ritz?Florence A. Cloghessy? Pioneering in the Pampas Richard A. Seymour?Juan Carlos Casas? Un Poblador de Las Pampas Richard Arthur Seymour? Exploring Communication/Student Activity Manual Richard D. Seymour?John M. Ritz?Florence A. Cloghessy? Equal Employment Law Update, Spring 1999 Richard T. Seymour?Barbara Brown? Exploring Communication Richard D. Seymour?John M. Ritz?Florence A. Cloghessy? Exploring Communication Richard D. Seymour?John M. Ritz?Florence A. Cloghessy? Equal Employment Law Update Summer 1996 Richard T. Seymour?Barbara Berish Brown? Equal Employment Law Update Richard T. Seymour?Barbara Berish Brown? The Sneaky Square and 113 Other Math Activities for Kids Richard M., Dr. Sharp?Seymour, Dr. Metzner? Equal Employment Law Update Spring 2000 Richard T. Seymour? Equal Employment Law Update Spring 2006 Richard T. Seymour?John F. Aslin? Exploring Symbols (Data-Driven Mathematics Series) Gail F. Burrill?Jack Burrill?Miriam Clifford?Emily Errthum?Patrick Hopfensperger?Henry Kranendonk?James M. Landwehr?Maria Mastromatteo?Vince Oconnor?Richard Scheaffer? Advanced Modeling Matrices (Data-Driven Mathematics Series) Gail F. Burrill?Jack Burrill?Miriam Clifford?Emily Errthum?Patrick Hopfensperger?Henry Kranendonk?James M. Landwehr?Maria Mastromatteo?Vince O Connor?Richard Scheaffer? Exploring Projects Planning and Conducting Surveys and Experiments Emily Errthum?Maria Mastromatteo?Vince O Connor?Richard Scheaffer? From Paper Airplanes to Outer Space (Meet the Author (Katonah, N.Y.).) Seymour SimonNina Crews? Courtroom Skills for Social Workers (Transforming Social Work Practice) Claire Seymour?Richard Seymour Members Only Richard Seymour Translation and Interpreting Bridging East and West Selected Conference Papers (Literary Studies East and West) Richard K. Seymour?Linguistics, and Literature University of Hawaii at Manoa College of Languages?East-West Center?Ching-Chih Liu? Across the Oceans Studies from East to West in Honor of Richard K. Seymour (Studies in Germanic Linguistics) Irmengard Rauch?Cornelia Moore?Richard K. Seymour? Lane County Mathematics Project Problem Solving Algebra Grade 9 Richard Brannan? The Lane County Mathematics Project Problem Solving in Mathematics Grade 5 Richard Brannan?Oscar Schaaf? Lane County Mathematics Project Problem Solving in Mathematics Grade 4 Richard Brannan? Lane Country Mathematics Grade 7 Richard Brannan?Oscar Schaaf? Problem Solving in Mathematics Grade 6 Richard Brannan?Oscar Schaaf? Ocean Energy Recovery The State of the Art Richard J. Seymour? What Expert Teachers Say About Teaching Mathematics Richard Dahlke? Art and Techniques of Simulation (Quantitative Literacy) Mrudulla Gnanadesikan?Richard L. Scheaffer?Jim Swift? The Physician's Guide to Psychoactive Drugs Richard B. Seymour? Exploring Communications Richard D. Seymour?John M. Ritz?Florence A. Cloghessy? African Origin of Biological Psychiatry Richard King?Kim Warnette? The New Drugs Look-Alikes, Drugs of Deception, and Designer Drugs (#5054a) Richard SeymourDavid Smith?Darryl Inaba?Mim Landry? Compost College Life on a Counter-Culture Commune Richard B. Seymour? Sociological Endeavor Hans L. Zetterberg?Richard Swedberg?Emil Uddhammar?Seymour Martin Lipset? Guide to Psychoactive Drugs Richard SeymourDavid E. Smith Richard Long (Painters Sculptors) Hamish Fulton?Anne Seymour? Revision Express Modern History ("A" Level Revise Guides) Hermione Baines?Richard Davies?Andrew Hall?Philip Nichols?Mark Seymour? New Ghosts, Old Ghosts Prisons and Labor Reform Camps in China (Socialism and Social Movements) James D. Seymour?Richard Anderson? Modern History (A-Level Study Guide) Hermione Baines?Richard Davies?Andrew Hall?Philip Nichols?Mark Seymour? Rewind Forty Years of Design Advertising Jeremy Myerson?Graham Vickers?Jeremy Bullmore?Alan Fletcher?Michael Johnson?Richard SeymourJohn WebsterPeter York Drugfree A Unique, Positive Approach to Staying Off Alcohol and Other Drugs Richard B. Seymour?David E. Smith New Ghosts, Old Ghosts Prisons and Labor Reform Camps in China (Socialism and Social Movements) James D. Seymour?Richard Anderson? Richard Long Walking in Circles Anne Seymour?Hamish Fulton? Drugfree Richard SeymourDavid Smith? Scribble Scrabble Ready-In-A-Minute Math Games Richard M. Sharp?Vicki F. Sharp?Seymour Metzner? Clinician's Guide to Substance Abuse (Hazelden Chronic Illness) David E. SmithRichard B. Seymour? The Sneaky Square Other Math Activities for Kids Richard M. Sharp?Seymour Metzner?Steve Hoeft? Clinician's Guide to Substance Abuse (Hazelden Chronic Illness) David Smith?Richard Seymour Nearshore Sediment Transport Richard J. Seymour? The Mirrorstone Michael Palin?Alan Lee?Richard Seymour Lynn Seymour Richard Austin? Cage, Cunningham, Johns Susan Sontag?Richard Francis?Mark Rosenthal?Anne Seymour?David Sylvester?David Vaughan? Turner and the Sociology of the Frontier Richard Hofstadter?Seymour Martin Lipset? The Mirrorstone Michael Palin?Richard SeymourAlan Lee? Transformational Geometry Richard G. Brown? Fishery Management and Keepering Richard Seymour All for Fishing Michael Gregory?Richard Seymour "Travels" of Sir John Mandeville (Exeter Mediaeval English Texts Studies) Richard Pynson?M C Seymour? Fishery Management and Keepering Richard Seymour A Catalogue Raisonne of the Prints of Sir Francis Seymour Haden Richard S. Schneiderman? Sociology and History Richard Hofstadter?Seymour Martin Lipset? Sociology and History Richard Hofstadter?Seymour Martin Lipset? Turner and the Sociology of the Frontier Richard Hofstadter?Seymour Martin Lipset? Richard Long. In Kreisen gehen Richard Long?Anne Seymour?Hamish Fulton?Richard Cork? Exploring Communications Richard D. Seymour? Equal Employment Law Update Spring 1998 Appellate Cases from March 1, 1996 Through March 1, 1998 Richard T. Seymour?Barbara Berish Brown? Equal Employment Law Update Fall 1998 Richard T. Seymour?Barbara Berish Brown? Exploring Communications Richard D. Seymour? Equal Employment Law Update Fall 1999 Appellate Cases from September 1, 1997 Through September 1, 1999 Richard T. Seymour?Barbara Berish Brown? Equal Employment Law Update, Fall 2005 Richard T. Seymour? Modeling With Logarithms (Data-Driven Mathematics Series) Gail F. Burrill?Jack Burrill?Miriam Clifford?Emily Errthum?Patrick Hopfensperger?Henry Kranendonk?James M. Landwehr?Maria Mastromatteo?Vince O Connor?Richard Scheaffer? Exploring Communication Richard D. Seymour?John M. Ritz?Florence A. Cloghessy? Companion to Contemporary Musical Thought (Routledge Companion Encyclopaedias) John Paynter?Tim Howell?Richard Orton?Peter Seymour? International Investment Disputes Avoidance and Settlement (Studies in Transnational Legal Policy, No 20) Seymour J. Rubin?Richard W. Nelson? African Origin of Biological Psychiatry Richard King? Seymour Drumlevitch Richard Huntington? Un Poblador de Las Pampas Richard Arthur Seymour? A Catalogue Raisonne of the Prints of Sir Francis Seymour Haden Richard S. Schneiderman? Richard Long. In Kreisen gehen Richard Long?Anne Seymour?Hamish Fulton?Richard. Cork? Der Spiegelstein Michael Palin?Alan Lee?Richard Seymour Exploring Communication Richard D. Seymour?John M. Ritz?Florence A. Cloghessy? Three Friends Robert Seymour Bridges?
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Tragedy at Tuskar Rock Gill & Macmillan Ltd? Mike Reynolds? Fergal Tobin? Gill&MacmillanLtd? MikeReynolds? FergalTobin? ジャンル別? Substores-UnknownASINs-16? Subjects-Engineering-Aerospace? Subjects-Nonfiction-TrueAccounts? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Science-Technology-General&Reference Inside a ... Grolier Academic Reference? GrolierAcademicReference? ジャンル別? Substores-UnknownASINs-16? Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-General? Subjects-Teens-Science&Technology-Computers? Health and Safety in Engineering Workshops (Guidance Booklets) Health and Safety Executive (HSE)? Health & Safety Executive? HealthandSafetyExecutive(HSE)? Health&SafetyExecutive? ジャンル別? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Health and Safety in Engineering Workshops (Guidance Booklet) Health and Safety Executive (HSE)? 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Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Science and Technology in the Industrial Revolution Manchester University Press? A.E. Musson? Eric Robinson? ManchesterUniversityPress? A.E.Musson? EricRobinson? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference The Industrial Archaeology of North-West England Manchester Univ Pr? Owen Ashmore? ManchesterUnivPr? OwenAshmore? ジャンル別? Substores-UnknownASINs-62? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Nonfiction-SocialSciences-Archaeology-Industrial? Subjects-Science-Technology-General&Reference Subjects-Science-Archaeology-General? Subjects-Science-Archaeology-Industrial? Science, Technology, and Society Today Manchester Univ Pr? Michael Gibbons? ManchesterUnivPr? MichaelGibbons? ジャンル別? Substores-UnknownASINs-17? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? 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Eighteenth-Century Furniture (Studies in Design and Material Culture) Manchester Univ Pr? Clive D. Edwards? ManchesterUnivPr? CliveD.Edwards? ジャンル別? Subjects-Arts&Photography-Art-ArtHistory? Subjects-Arts&Photography-GraphicDesign-Design-Furniture? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Home&Garden-Crafts&Hobbies-Woodworking-Furniture&Carpentry? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Life on a Modern Planet Rediscovering a Faith in Progress (Issues in Environmental Politics) Manchester Univ Pr? Richard D. North? ManchesterUnivPr? RichardD.North? ジャンル別? Substores-UnknownASINs-17? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Nonfiction-SocialSciences-HumanGeography? 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管理人より こちらに掲載している原語リブレットはどうやらホーフマンスタールの生台本だったようで、シュトラウスが音楽を付けてない部分や追加した詩句があるようです。生台本は話のつながりがスムーズな点もあるということで、wagnerianchanさまはそのまま訳出してくれました。管理人がシュトラウスがカットした原語部分をグレーにする処理を行っています。通常のリブレット日本語対訳はこちらをご覧ください。 → メモ@広報室 （橇の鈴の音が聞こえて来る） ZDENKA あれはエレメルの橇だ。 鈴の音に聞き覚えがある。 ARABELLA （また軽い調子に戻って、陽気に） だとすれば、その後ろには、ドミニクの橇。 そのまた後ろは、ラモラルの橇ね。 いつもの通りだわ。 私は・・・やっぱり一緒に行くわ・・・年に一度のカーニバルですもの。 ZDENKA 違うよ・・・今日はエレメルの橇だけさ。 あいつらは、そう取り決めたんだよ。 うれしい？だめだ！ あいつはお姉さんにふさわしい人じゃない！ だめだよ！そんなの許せない！ ARABELLA あたしだって分からないわよ！ あの人も男の一人よ。 でも、そんな男、もうたくさんかもね。 粗野で怒りっぽい男・・・ それが私が受け入れねばならない男かも！ （立ったまま考えこむ） ZDENKA 大変だ･･･マッテオは自殺しちゃうぞ・・・ （予言の幻を見るように） 私がドアをたたいても、返事は返ってこない。 あの人の体に身を投げる・・・初めてのキスなのに、 それは氷のような冷たい唇！ そうなったらおしまいだわ。 ARABELLA （ズデンカのことは気に留めず、独り言を言う） たぶん、そうせねばならない。 きっともうすぐ何かの合図がある！ カーニバルは今晩で終わり。 今晩、決断せねばならない。 ズデンカくん？ どうして、そんなに悲しい顔をしているの？ わかっているわ。お父さんもお母さんも 私を手放したくってやきもきしているのよ。 でも、私には無理なの。 あらゆるものが私に押し寄せて来て、 私をその人のほうへと押し流さない限りはね！ ねえ・・・午前中、あそこに見知らぬ人がいたの・・・ （窓に向かって歩いて行く） 私が外出した時も、 まだ向こうの交差点に立っていた。大きな体で、旅行用の毛皮のコートを着ていて、護衛の軽騎兵を従えている。 きっとハンガリーかワラキアから来た外国人・・・。 きりっとした大きな瞳で私を見つめ、 何かを従者に話しかけていた。 その人が私に花を届けてくれると、私は信じ込んでいたんだわ。その人のお花・・・今日、私にとってこれ以上のものがあるかしら！ そのお花を私の部屋に飾っておけば、 夜、舞踏会から戻ってきた時、 もう一度見られるわ。そして枯らしたりはしない… あの人本人が現れるまで！ほっといて… ただ、そんな想像をしているだけ… そんなに不安な顔で見ないでよ！ ZDENKA （マッテオのバラを花瓶からつかみ、情熱的にアラベラに差し出す） 受け取って！この世で一番誠実な男からの花だよ！ 受け取って！あなたの胸に押し付け、他の花なんて受け取らないで！ ぼくは感じるんだ・・・お姉さんとぼくの運命は、それ次第で決まるって！ （橇の鈴の音が大きくなってくる） ARABELLA （怪しんで） いったい何？あなた、どうしちゃったのよ？ ZDENKA 静かにして！エレメルが来るよ。 （中央のドアが開き、エレメルが現れる。身にまとっていた毛皮のコートを脱ぐと、給仕はそれを受け取って、外から扉を閉める。ズデンカは、音も立てずに素早く舞台右手へと退場する） ARABELLA ひどく意気揚々とご入場ね？ ELEMER 今日は私の日だからね！くじ引きが当たったんだ。 ロシア馬は、まだ橇につないである。 今日は、あなたを私の橇でご案内してよいでしょうか。 そして晩の御者舞踏会では、 あなたの主人となってもよいでしょうか！ （アラベラは眉間にしわを寄せる） あなたの第一のしもべということですよ。 何と言っても、あなたは女王様なんだから！ ARABELLA くじで取り合うなんて！私に、そんな権利をお持ちだとは！ ELEMER そうさ。あなたが選ぶのは、ぼく達３人の誰かなはずだからね。ぼく達は、もうそう決めて互いに誓ったんだ。 ARABELLA はあっ？あなた方３人の一人ですって？ じゃあ私は？あなた方が、 くじで手に入れる奴隷なの？ どの戦役で得た戦利品なのか、 うかがってよろしいかしら？ ELEMER 女性とは、自分を賞として差し出すものだ。 その眼差しで、自分への好意を勝ち取ろうと願っている。 乙女の眼差しは強力で、 与えもすれば、受け取りもする・・・ だが、男に期待させるのは、それ以上のことさ！ ARABELLA （独り言で） 今日私を見つめた男の人は、 この目とは全然違う目だったわ！ （じいっとエレメルを見つめる） そうね・・・あなたは求めてる・・・望んでる・・・ 愛してもいるのかしら・・・ひょっとして！ ELEMER ひょっとしてだと？そんなことを言うとは・・・ こんな数週間を過ごした後で、このぼくに・・・？ （怒ってアラベラの手首をつかむ） ARABELLA （身をもぎ離し、エレメルから二三歩離れる） 私にもプライドがあるから、そんなに多くのことは許さない！ 鎖でしばられるつもりはないの！ ELEMER そのプライドのお目当ては一つだけ・・・ 男の手に身を沈めることだ！ ARABELLA そんなことが私の目当てですって？私、あなた達を叱り飛ばしたいぐらいよ。あなた達は、カーニバルの期間中、ずっと私のご機嫌取りをしてたくせに、私の心にプライドを捨てさせることができなかった・・・プライドよりも大切なものを 何もくれなかったから、 今だって、私は相変わらずの私のまま。 そして、独身の娘だけが味わえるほろ苦い幸せを、味わいつくしているの・・・人目につかず、 宙ぶらりんのまま、誰にも身を委ねないという幸せをね！ そして、ますますためらいは強くなっていく… でも、あるいは、すぐ何かが起こるかも知れない…エレメル。 （可愛らしくほほえみながら） あるいは、もうすぐ、今夜にも何かが起こるかも！ ELEMER 天から、その何かが降って来る時間が来るのを、 ぼくも祈っているんだ･･･ベッラ。 そんな時が来れば、あなたは臆病でためらいがちな考えなど捨て、本来のあなた自身になろうとし、 最高の女性に与えられた幸せを、この地上で私にもたらしてくれるだろう！ 馬の声が聞こえる？足踏みして、 鈴を揺らしているだろ？鈴の音がするだろ・・・ さあ、行こうよ！おいで！ぼくらみんなで突進さ！ 考え過ぎたら死んでしまうよ！考えないことが幸せの秘訣さ！ ARABELLA ロシア馬なの？我慢できずに体を揺らしているのね？ そうね！行きましょう。 何といったって今日はカーニバルの火曜日。 真夜中には、すべて終わってしまう。 目抜き通りを駆け下りて・・・息ができなくなるほど速く・・・ でも、ズデンコも連れて行くのよ。 ELEMER （怒った様子で、落胆して） それでは何一つ・・・ 何一つ、あなたには言えないのですか？ ぼくの燃えるような言葉は、あなたのためだけに取ってあるのです！それ以外の誰の耳にも入ってはなりません！ ARABELLA （きっぱりと） あの子も一緒よ。 ELEMER なんて冷たい人なんだ！ ARABELLA ３０分したら、弟と下に降りるわ。 その間、ロシア馬を待たせておいて！ （エレメルに別れを告げながら） では、後ほど！ ELEMER あなたこそ我が愛しの女性・・・ とらえどころのない人！冷たい人！ でも魅力的な人！ （出て行く） ZDENKA （舞台右側から入って来る） 追い払ったのかい？ ARABELLA あの人と馬車で一緒に行くわ。早く着替えて。 橇で行くのよ。 ZDENKA ぼくが必要なのかい？ RABELLA そうよ、必要なの。 （下に止まっている橇から出る音が激しくなる） あの素敵な馬を見て・・・待ちきれないんだわ・・・ （急に、声音を変えて叫ぶ） ズデンカ！ ZDENKA どうしたの？何をそんなに驚いてるの？ ARABELLA あの人！あの人よ！さっき言った外国人！あそこ！向こうの通りを歩いている！ 従者と一緒だわ。きっと私の住まいを知りたいのね。よく見て！私が住んでいる部屋の窓がどこかを探しているわ。あの目を見てよ！とても真剣な大きな瞳・・・ ZDENKA （アラベラの後ろから） どうやって目が見られるのさ。ぜんぜん見上げてないのに！ ARABELLA （何かを期待しながら） そうね･･･。見上げていないわ。 （部屋の中に向き直る） 通り過ぎるだけ。 あの人を待っているのは、どこかの別の女の人だわ・・・ その女、大嫌い！世界中の災難が降りかかるがいい！ ZDENKA 今晩にはもう、そんな女のことは忘れるよ・・・あの男のこともね。 それは、お姉さんの妄想なんだよ。 （アラベラは気落ちして立っている） ZDENKA （アラベラに近付いて） 選ぶことができるのは男の人のほうだけ。 私達は、選ばれるのを待つしかない。 誰にも選ばれなけりゃ、もうおしまいだわ。 （アラベラの肩に頭を押し付けて） ARABELLA まるで賢者さんね！ （ズデンカは頭を上げる） よく顔を見せて！涙がいっぱいじゃない！ ズデンカくん？いったいどうしちゃったの？ （橇の鈴の音が聞こえて来る） ZDENKA （身をもぎ離して） なんでもないよ。エレメルと行くんだろ？ ARABELLA そうよ、行くのよ。だから着替えて。 一緒に来て。そうしてほしいの。 ZDENKA しいっ、ママだ。 Man hört die Glöckchen eines Schlittens ZDENKA Das ist der Schlitten vom Elemer. Ich kenn die Schellen. ARABELLA wieder ganz leicht und munter Und hinter ihm kommt dann der Dominik gefahren und hinter dem der Lamoral. So treiben sie's. Und ich - ich treib's halt mit - weil halt nur einmal Fasching ist. ZDENKA Nein heute kommt der Elemer allein. Das ist so zwischen ihnen abgemacht. Freust du dich? Nein! Er kann der Richtige nicht sein! Nein, nein, das darf nicht sein! ARABELLA Ich weiss ja nicht! Ein Mann, das ist er wohl. Vielleicht zu viel ein Mann. Ein wilder zorniger Mann - kann sein, ich muss ihn nehmen! Sie steht nachdenklich ZDENKA Mein Gott, dann bringt sich der Matteo um - visionär Ich klopf an seine Tür, er gibt nicht Antwort. Ich werf mich über ihn - ich küss zum ersten Mal seine eiskalten Lippen! dann ist alles aus. ARABELLA für sich, ohne auf Zdenka zu achten Kann sein, ich muss. Es wird mir schon ein Zeichen kommen! Heut abend ist der Fasching aus. Heut abend muss ich mich entscheiden. Zdenkerl, was schaust du denn so traurig drein? Ich weiss ja doch., die Eltern zittern drauf mich los zu sein. Und ich, ich kann doch nicht wenn mich nicht alles stosst und drängt und hinwirft zu dem einen! Siehst du - da war ein fremder Mensch heut vormittag - sie geht gegen das Fenster wie ich hier aus dem Haus gegangen bin, dort drüben war er, an der Ecke, gross, in einem Reisepelz, und hinter ihm ein Leibhusar - ein Fremder halt aus Ungarn oder aus der Wallachei… Der hat mich angeschaut mit grossen ernsten festen Augen, dann hat er was gesagt zu seinem Diener. Ich hätt geschworen drauf, dass er mir Blumen schickt. Blumen von dem, das wäre heute mehr für mich als alles! Die täte ich mir in mein Zimmer nehmen und wenn ich heimkäm in der Nacht vom Ball fänd ich sie wieder, und ich liess sie nicht verblühn - als bis er selber käme! Lass mich nur das sind so Phantasien - schau mich doch nicht so ängstlich an! ZDENKA reisst die Rosen von Matteo aus der Vase, hält sie ihr leidenschaftlich hin Nimm die! sie kommen von dem treuesten Menschen auf der Welt! Nimm sie zu dir, ganz nah zu dir, nimm keine anderen als die! Ich fühls dein und mein Schicksal hängt daran! Die Glöckchen des Schlittens stärker ARABELLA verwundert Was hast du denn? Was ist denn los mit dir? ZDENKA Sei still! da kommt der Elemer. Die Mitteltür geht auf, Elemer steht in der Tür, wirft den Pelz ab, den er umhängen hat, ein Groom fängt den Pelz auf, schliesst von aussen die Tür. Zdenka ist schnell und leise rechts abgegangen ARABELLA So triumphierend treten Sie herein? ELEMER Heut ist mein Tag! so haben wir gelost. Anspannen lassen hab ich meine Russen denn heute darf ich Sie in meinem Schlitten führen, und abends dann auf dem Fiakerball bin ich Ihr Herr! Arabella runzelt die Stirn Ich meine ich Ihr erster Knecht denn Sie sind immerdar die Königin! ARABELLA Ihr habt um mich gelost! Ihr seid mir schon die Rechten! ELEMER Ja, einer von uns dreien muss es sein, den Sie erwählen! So ist's beschlossen und beschworen unter uns. ARABELLA Ah? einer von euch dreien muss es sein? Und ich? ich bin die Sclavin über die ihr schon das Los geworfen habt? In welchem Krieg habt ihr mich denn erbeutet wenn ich fragen darf? ELEMER Zum Preis hat Sie sich selber eingesetzt mit Ihren Blicken hat Sie uns gefordert, Ihr zu stehn Ein Mädchenblick ist stark und gibt und nimmt - und er verheisst noch mehr! ARABELLA für sich Mit wie ganz andern Augen hat mich heute einer angeschaut! Sie sieht ihn fest an Ja, - Sie verlangen - und Sie wollen - und Sie lieben auch - vielleicht! ELEMER Vielleicht? Das Wort da wagen Sie zu sagen - mir nach diesen Wochen -? Er packt sie zornig beim Handgelenk ARABELLA sie macht sich los und geht ein paar Schritte von ihm weg Ich aber habe meinen Stolz und könnte Vieles nicht verzeihn! Und eine Fessel tragen will ich nicht! ELEMER Ihr Stolz verlangt nur eines sich zu schmiegen unter eine Manneshand! ARABELLA Verlangt er das? Dann sollt ich zornig sein auf euch dass ihr mir jetzt den Hof macht einen Fasching lang - und immer noch habt ihr mir nicht das Herz erlöst von diesem Stolz - und habt mir noch nichts Besseres geschenkt - und immer bin ich noch die Gleiche die ich war, und dieses einzige bittersüsse Glück das einem Mädel bleibt, das kost ich aus versteckt und in der Schwebe sein, und keinem ganz sich geben! und zögern noch und noch - Vielleicht wird aber bald was Andres kommen, Elemer. Mit einem süssen Lächeln Wer weiss - vielleicht sehr bald, vielleicht noch diese Nacht! ELEMER Das Andere wird kommen in der Stunde die ich herab vom Himmel flehe, Bella - wo Sie abwerfen diese feigen zaudernden Bedenken und das sein wollen was Sie sind, das herrlichste Geschöpf geschaffen Seligkeit zu bringen über mich, allein auf dieser Welt! Hören Sie meine Pferde? Wie sie stampfen und ihre Glocken schütteln? Wie sie läuten Du willst ja! Komm! dann sausen wir mit dir dahin! Nachdenken ist der Tod! im Nicht-bedenken liegt das Glück! ARABELLA Sind es die Russen? schütteln sie sich schon vor Ungeduld? Ja, ja! Ich will. Heut ist doch Faschingdienstag und heut um Mitternacht ist alles aus. Die Hauptallee hinunter - dass der Atem mir vergeht. - Aber der Zdenko fahrt mit uns. ELEMER zornig, unglücklich Kein Wort, kein Wort soll ich zu Ihnen reden dürfen? In mir sind Worte, brennende, für Sie allein bestimmt! und sonst für keines Menschen Ohr! ARABELLA bestimmt Der Bub kommt mit. ELEMER Sie Grausame! ARABELLA In einer halben Stunde bin ich unten mit ihm. Solange müssen sich die Russen gedulden! Ihn verabschiedend Auf Wiedersehn! ELEMER Sie sind ein angebetetes Geschöpf ein unbegreifliches! ein grausames! entzückendes Geschöp! Er geht ZDENKA tritt rechts herein Hast du ihn fortgeschickt? ARABELLA Wir fahren aus mit ihm. Schnell zieh dich an. Im Schlitten. ZDENKA Dazu brauchst du mich? RABELLA Ja, dazu brauch ich dich. Der Schlitten unten lebhafter Schau doch die schönen Rappen, wie sie ungeduldig sind. - Mit plötzlich veränderter Stimme rufend Zdenka! ZDENKA Was ist denn? was erschrickst du so? ARABELLA Er! das ist er! er! mein Fremder! da! dort drüben geht er! mit seinem Diener. Sicher will er wissen, wo ich wohn'. Pass auf, jetzt sucht er, welches meine Fenster sind. Schau seine Augen an, was das für grosse ernste Augen sind - ZDENKA hinter ihr Wie soll ich seine Augen sehn, er schaut ja nicht herauf! ARABELLA wartet Nein, er schaut nicht herauf. Wendet sich ins Zimmer Er geht vorüber. Anderswo erwartet ihn halt eine andre Frau - Die hass ich jetzt! Und wünsch ihr alles Böse auf der Welt! ZDENKA Und heut am Abend hast du sie vergessen - und ihn auch. Du hast so deine Phantasien. Arabella steht finster ZDENKA nähert sich ihr Die Männer sind's allein, die wählen dürfen, und wir, wir müssen warten bis man uns erwählt oder wir sind verloren. Sie drückt ihren Kopf an Arabellas Schulter ARABELLA Du Weisheit! Zdenka hebt den Kopf Lass dich anschaun! Deine Augen sind ja voll Wasser! Zdenkerl, sag was ist mit dir? Man hört die Schlittenglocken ZDENKA macht sich los Gar nichts. So willst du fahren mit dem Elemer? ARABELLA Ja, ja. Geh. Zieh dich an. Du fahrst mit uns. Ich wills. ZDENKA Pst, die Mama. この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Strauss,Richard/Arabella/I-3